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#Red giant magic bullet suite tutorial how to
#Red giant magic bullet suite tutorial update

LUT Buddy (import, create and export Lookup Tables)

Cleans up footage shot in low light or at high ISOs.

#Red giant magic bullet suite tutorial update

This update also includes new host application support – Adobe Premiere Pro and After Effects are now joined by FCPX, Motion, and Sony Vegas Pro. Mojo was already fast, but Mojo 2.0 is the fastest way to get Hollywood’s most popular film look.Ĭosmo has been rebuilt from scratch and now runs on the GPU. Mojo has been rebuilt from scratch and now runs on the GPU. Magic Bullet Film includes 22 negative stocks and 4 print stocks, giving you 88 possible cinematic combinations. This is an entirely new product that gives your digital footage the look of real film by emulating the entire photochemical process – from the original film negative, to color grading, and finally to the print stock. More Host-Apps – PPro, AE, FCPX, Motion.Strong integration with Adobe Creative Cloud.The Magic Bullet Suite 12 comes with these seven plugins: You can get the whole suite at In the tutorials, I also mention the free color-wheel from Adobe.

#Red giant magic bullet suite tutorial how to

So sit back and watch, and hopefully learn how to make your videos more cinematic! Here are three tutorials that are almost an hour-long where I show you how to use all of these wonderful tools. I used the first version, then the second generation, and now Colorista 3, which is part of the Magic Bullet Suite 12. My favorite for years has been the Colorista from Red Giant. Thanks to faster computers and more software options, it is now very easy and affordable to get professional color grading tools. In the past, we needed expensive hardware and software to be able to achieve the same level of color grading as seen in big budget films. Color grading a well shot video can make it look exceptional, just as a poor job adjusting the colors can ruin it. But a big part of how the final video will look happens in post production. That entails a lot of things, such as great production design, good camera angle, lens choice, lighting etc. To get video to look like a big budget film you obviously have to start with good cinematography. One of the most frequent questions I get asked is “How do I get that film look?” Today I will show you how I turn ordinary-looking video into a cinematic image that just simply looks good.